For writers who never wanted to be marketers

Marketing path

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None of this belongs in your drafting hours. Pick one platform, post twice a week, and let the newsletter be the thing you actually build. Everything else is optional.

Start with the reader, not the platform

Answer these three before you post anything.

Who finishes this book at 2am?

Age, taste, the last five books they loved. Be uncomfortably specific.

What are its three comparable titles?

Recent, mid-list, same shelf. Comps are how readers place you.

What is the one line?

The premise a stranger can repeat to a friend without your help.

Where to spend the time

You do not need all of these. You need one, plus a newsletter.

TikTok / BookTok

Best for: Upmarket & genre fiction, strong hooks

Highest discovery ceiling, highest effort. Video, face optional, consistency essential.

Post: 60-second premise hooks, tropes-as-a-list, 'the scene that broke me' reads.

Instagram / Bookstagram

Best for: Anything visual — covers, aesthetics, worldbuilding

Slower burn, warmer community. Carousels outperform single images.

Post: Mood boards, character art, annotated pages, cover reveals.

Substack / newsletter

Best for: Every writer, eventually

The only audience you own. Nothing can deplatform a mailing list.

Post: Monthly progress letter, one free short piece a quarter, launch announcements.

Threads / Bluesky

Best for: Literary fiction, nonfiction, writers' community

Low reach per post, high peer connection. Good for finding blurbs and beta readers.

Post: Craft observations, process notes, generous replies to other writers.

YouTube

Best for: Nonfiction, worldbuilding-heavy fantasy

Slowest to start, longest-lived. One good video works for years.

Post: Worldbuilding deep dives, 'how I wrote' breakdowns, research rabbit holes.

What to post

Six shapes. Rotate them; never invent a seventh under pressure.

The hook

One line of premise, nothing else. Test which sentence makes people ask a question.

The process

A photo of the mess. Word counts, index cards, the crossed-out page.

The artefact

A map, a character portrait, a palette. Show the world, not the pitch.

The excerpt

150 words that end mid-tension. Never the opening paragraph.

The confession

The chapter that beat you. Writers buy from writers they recognise.

The ask

Rare and direct. Preorder, review, share. Earn it with the other five first.

A launch that doesn't consume you

Twelve weeks, three hours a week.

Weeks 12–9Cover reveal, newsletter open, ARC readers recruited from your warmest platform.
Weeks 8–5Two posts a week from the archetypes. Line up three podcast or newsletter swaps.
Weeks 4–1Preorder ask, excerpt series, one behind-the-scenes piece on how the book was made.
Launch weekOne ask, then go quiet and write. Reviews arrive for months, not days.